Pattern of a green figure with an exposed brain reading a copy of The Bitchin' Kitsch with the overlayed text: "Submit to The B'K Today!"

The B’K is a quarterly art and lit, online and printed magazine prioritizing traditionally marginalized creators, but open to all. Own voices only, please. We are limiting each issue to 44-pages and will notify accepted submitters as to which issue they’ve been accepted to. We will accept up to one written piece and two pieces of artwork per issue per person.

To submit, fill out our submission form (one piece per entry in the form – the form auto populates a spreadsheet where we track submissions, so please, do not send more than one piece in one document). Be sure to read all of our guidelines below before submitting.

Issues come out in January, April, July, and October. Submissions are due for that issue on the 15th of the previous month or when the issue is full, whichever happens first.

Requirements for Submissions

We require written submissions to be under 2,000 words, submitted in a Word Document or text file. PDFs will not be considered and will be rejected outright. Submissions must be in English.

We require that image submissions be sent at least 300 dpi and at least 3 inches by 3 inches (if you would like your piece to be considered for the cover, it must be sized at least 8.75 inches width and/or 11.25 inches height ).

We require that you properly gender our editor. Any submission that misgenders will be responded to unread. If you wish to address the editor, you can do so as editor, The Bitchin’ Kitsch, The B’K, or Chris. If you wish to speak about our editor, they use the pronouns they/them.

We will accept simultaneous submission. Please let us know if it is a simultaneous submission (in the “Anything you want our editors to know about your piece” section of the form) and let us know as soon as you do if it has been accepted elsewhere.

You retain the rights to your pieces after publication in our zine. We encourage you to submit your piece to other publications after it has appeared in ours (if their submissions allow it), we just ask that you acknowledge that it was previously published in ours first. We fully accept pieces that have been published elsewhere (if their submissions allow it) and will be happy to acknowledge that it was published elsewhere first. We want to get your creations in front of as many people as possible and are happy to do it!

What is required with your submission:

Our form requires the following information: your name as you’d like it to appear, the name of the piece as you’d like it to appear, trigger warnings if necessary, and answers to our identity questions.

We aim to have a diverse publication from a diverse set of voices. In order to make sure we do that, we need to know who you are. We will not deny someone based on identity unless it is deemed that the submission becomes inappropriate or appropriation due to the submitter’s identity. Things that we would consider inappropriate or appropriation would include writing about what it’s like to be part of a historically marginalized community you do not belong to. We encourage people outside of the community to include people from historically marginalized communities, but we won’t publish pieces that explain what it’s like to be part of those communities. We value inclusivity and believe the only way to do it right is with #OwnVoices.

We don’t want to read something that might be triggering without being in the right head space. We would hate to deny something because it caught us off guard at a bad time. If appropriate, please include a trigger warning. Before you submit, make sure that it will not violate our submission guidelines (see the full list below).

Once the piece has been published, it is done. If we made a typo, we’d be happy to fix it, but we will not pull the piece or make any large edits. You have until the piece goes to print to make any changes to the piece. If there are large changes that change the tone, feeling, or reading of the piece, it will have to go back to our readers and may not be accepted with the changes.

Unfortunately, we can’t offer submitter copies. We wish we could, but this is not a zine that makes money. Instead is one that we pay for with our day jobs and do on the side as a labor of love. What we do offer is a discount to our submitters on pre-sales so that you only pay what it costs us to get them printed.

Things that will be rejected and could get you temporarily or permanently banned:

If your submission violates any of the guidelines below, you will be informed and temporarily banned from submitting for one month’s time. A rejection for violating a guideline is not the start of an argument. You have submitted to our publication, so follow our rules.

The temporary ban is as much for submitters as it is for us. We want to make sure that we are reviewing your submission with an open mind, and can’t do that if you are rapid firing “proof” that you can write something else. (This did happen recently, and it was very hard to divorce our feelings from the last submission when reading the new one.)

If it is a flagrant violation or you argue with us or respond aggressively to a rejection for any reason, you will be permanently banned.

Likewise, even if your submissions to us are not problematic, but we are informed of problematic behavior outside of our publication against people from marginalized communities and can verify it, you will not be welcome to our publication.

  • The piece implicates you in a crime.
  • The piece is partially or fully plagiarized.
  • The piece uses fridging of marginalized genders or children (the trope where a marginalized person is injured, killed, or demoralized in some way to move a man’s story or character development forward).
  • The piece reduces people from marginalized genders to body parts, objects, or in another way dehumanizes them.
  • The piece’s main focus is sexual attraction or exploitation.
  • The piece is erotica or is sexually explicit to a degree that could be triggering for people with past sexual trauma.
  • The piece sexualizes a child. This means anyone under 18 years old, no matter what.
  • The piece glorifies or sexualizes violence against marginalized genders.
  • The piece mentions or implies molestation or r*pe against marginalized genders or children (unless it is a memoir or experienced non-fiction, which will be judged on a case-by-case basis by a survivor. There is NO wiggle room on this. Our editor is a survivor and will not subject themselves to the pain of reading this unless it is written by a survivor about their own experience, because we value and understand the need for catharsis through art. NO ONE ELSE is permitted to submit a piece with this plot point).
  • The piece includes content or pejoratives that could be considered sexist, fetishist (unless consensual), homophobic, transphobic, racist, ableist, or in any other way offensive to a protected class or minority. Pieces that include an unreliable narrator will be reviewed on a case-by-case basis, but will likely be rejected unless it is made clear within the piece that the behavior/language is unacceptable.

Resources and podcasts to help you create things that are appropriate for The B’K:

Sum of Us: A Progressive’s Style Guide
Conscious Style Guide
The Radical Copyeditor’s Style Guide for Writing About Transgender People

Due to some COVID-19 related financial struggles, we had to downgrade our Soundcloud, which means that we have lost the majority of our podcasts for now. But these are the most important ones for understanding how we center equity and what we do and do not want to see in pieces: